Credits

Vaulted Harmonies

Archaeoconcert at Notre-Dame

Executive Production

Brian F.G. Katz - CNRS, Sorbonne Université
Alexis Ling, CNSMDP
Jean-Marc Lyzwa, CNSMDP

Artistic Production

Jérôme Mouscadet, Dada! Animation

Direction

David Poirier-Quinot, Sorbonne Université

Musical Recording

Jean-Marc Lyzwa

Soundscape Recording

Mylène Pardoen, CNRS, MSH-Lyon
Martin Guesney, MSH-Lyon
Elliot K. Canfield-Dafilou, Sorbonne Université
Julien De Muynke, Sorbonne Université

Modeling, Animation, Visual VFX

Sunmetron:
Maxime Descamps
Germain Morisseau

Dada! Animation:
Léo Gosselet
Solveig Pauvert
Valentine Gabriel
Charlotte Samuelli
Margot Vey
Gaël Didier-Bezault
Florian Delgehier
Rafael De Oliveira Reis

Rendering and Video Editing

Léo Gosselet
Jérôme Mouscadet

Acoustic Modeling and Simulation

Sarabeth S. Mullins, CNRS, Sorbonne Université
Elliot K. Canfield-Dafilou
Brian F.G. Katz

3D Audio Mixing and Spatialization

Jean-Marc Lyzwa
David Poirier-Quinot

Production Managers

Hugo Morell, Dada! Animation
Katia Dindault, CNSMDP

Narration Writing Direction

Sophie Decroisette, Dada! Animation
Lucie Kayas, Héloïse Barbaroux, Oriane Delville, Cécile Mons, CNSMDP

Narration Voice

Juliette Aver

Opening Credits

Jean-Baptiste Delorme, Dada! Animation

Ending Credits

Jean-Christophe Pontiès

3D Audio Spatialization Software

RoomZ
IEM plugins

Acoustic Modeling Engine

CATT-Acoustic

The Musical Works



* * *

LÉONIN: Organum Iudea et Ierusalem
PÉROTIN: Viderunt Omnes

ENSEMBLE PÉROTIN LE GRAND
Sylvain Dieudonné, Vocals and direction
Damien Rivière, Vocals
Maximilien Hondermarck, Vocals
Matthieu Le Leveur, Vocals
Matthieu Walendzik, Vocals
Luc Bertin-Hugault, Vocals
Axel de Marnhac, Vocals

Martin Garnault, Artistic director of recording and audio editing
Ihsane Coulombel, Recording assistant
Benjamin Véron, Manager of the Anechoic Chamber of Sorbonne University

* * *

PHILIPPE DE VITRY: Adesto
WALTER FRYE: Ave regina caelorum

Organ replica by Eric Brottier in Bouzy
Christophe d’Alessandro, organist
Éric Brottier, Tuning
Zéphir Torres, Artistic director of recording and audio editing

* * *

ANTOINE BRUMEL: Ave Maria gratia Dei plena
MATHIEU SOHIER: Kyrie from the Mass Vidi speciosam
HENRI FRÉMART: Credo from the Missa Eripe me Domine

BAROQUE MUSIC CENTER OF VERSAILLES (CMBV)
Marie Baron, Lucie Bonnin, Nella Calamaro, Inès Coirier Duet, Henri de Montalembert, Edouard Dumon, Wandrille Egretier, Erwan Le Roux, Stanislas Pauly, Méloïca Walz: Pages
Antoine Ageorges, Louis Anderson, Brieuc De Bremond D’Arc, Julien Giner, Colin Isoir, Sacha Riera, Alban Robert: Singers
Louis-Avit Pauly, Organ
Hyérine Lassalle, Viola da gamba
Sylvain Dieudonné, Director (Brumel and Sohier)
Fabien Armengaud, Director (Frémart)
Cécile Berthelot, Charlotte Chazaut, Marie Clément, Morgane Maillard, Christopher Smyth, Supervision by CMBV

Karoly Mostis, Organ tuner
Lucas Bergeret, Artistic director of recording and audio editing
Ihsane Coulombet, Technical support for recording
Magid Mahdi and Pascale Bondu, Technical support for stage acoustic modifications
Pascal Bertin, Head of the Ancient Music Department at the Conservatory

* * *

CHARLES RACQUET: Fantaisie

Dupont Organ, Philharmonie de Paris Amphitheatre
Olivier Latry, Organist
Tom Fougedoire, Artistic director of recording and audio editing
Quentin Blumenroeder, Tuner
Camille Cailleau, Production manager at Cité de la Musique, Philharmonie de Paris
Julien Dubois, Instrument park manager, CNSMDP

* * *

FRANÇOIS-JOSEPH GOSSEC: Hymne à la Liberté

Singing class of Catherine Simonpietri:
Audray Maignan, Vocals
Clothilde Culeux, Vocals
Rita Filipe, Vocals
Mejamandresy Rakotonirina, Vocals
August Chevalier, Vocals

Daniele Latini, Clarinet
Romain Goupillon-Huguet, Trombone
Blaise Cardon-Mienville, Serpent
Catherine Simonpietri, Conductor
Valérie Cardon-Mienville, Score transcription

Léo Côtez, Artistic director of recording and audio editing
Benjamin Véron, Manager of the Anechoic Chamber of Sorbonne University

* * *

JEAN-FRANÇOIS LESUEUR: Overture to the Coronation March

Conservatory Laureates Orchestra (O.L.C.)
Alain Altinoglu, Conductor and professor of the Conservatory’s conducting class
Simon Clausse, Conductor, student in the conducting class

Violins 1: Sarah Jegou-Sageman, Tien-Ai Chou, Jonathan Mutel, Anh-Thu Pham, Chen-Fang Chien, Ugo Clément, Oleksandr Dmytriyev, Florian Jourdan, Arthur Pierrey, Laura Vaquer
Violins 2: Lyun Clara Heo, Sen Chan, Louis Barme, Adrian Chassagnon-Kovmir, Elise Creton, Mariam Mnatsakanyan, Alicia Rowell
Violas: Chloé Lecoq, Benjamin Lecoq, Marie-Sarah Daniel, Mathilde Desveaux, Jules Monnier, Eve-Melody Salom
Cellos: Haruka Takikawa, Jean-Baptiste Ginouves-Maiziere, Emma Gergely, Laurelenn Denjean, Mélisande Ponsin
Double Basses: Min-Yu Tseng, Lou Dufoix, Suliac Maheu
Flutes: Federico Altare, Joao Milhinha
Oboes: Eléonore Desportes, Joseph Dutour De Salvert
Clarinets: Youjin Jung, Antanas Makstutis
Bassoons: Camille Rocher, Adrien Genevrier
Horns: Loïc Denis, Louis Vathonne
Trumpets: Andrea Jaeger, Siméon Vinour
Trombones: Sébastien Curutchet, Valentin Moulin, Laurent Bordarier
Timpani: Quentin Broyart

Takashi Jen, Artistic director of recording and audio editing
Yannaël Pasquier, Orchestration

Olivier Marzullo, Technical support for recording
Francesco Parolo, Technical support for recording
Clémence Genier, Administrator of the Conservatory Laureates Orchestra

* * *

LOUIS VIERNE: Westminster Carillon

Cavaillé-Coll Organ, Saint-Sulpice Church, Paris
Olivier Latry, Organist
Takashi Jen, Artistic director of recording and audio editing
Olivier Montagnon, Technical support for recording
Olivier Marzullo, Technical support for recording
Pierre-François Dub-Attenti, President of the Association for the Promotion of Saint-Sulpice Organs (AROSS)
Michel Gusso, Organ tuner

Scientific Council

Brian F.G. Katz
David Poirier-Quinot
Christophe d’Alessandro, CNRS, Sorbonne Université
Sarabeth S. Mullins
Elliot K. Canfield-Dafilou
Mylène Pardoen
Martin Guesney
Dany Sandron, Sorbonne Université
Cristina Dagalita, Sorbonne Université
Frédéric Billiet, Sorbonne Université
Valérie Le Page, Sorbonne Université
Beatrice Caseau, Sorbonne Université
Elsa Ricaud, Sunmetron
Hanna Borne, Sunmetron

Acknowledgments

Notre-Dame Cathedral of Paris: We extend our heartfelt thanks to the staff of the Cathedral for their help and patience during the measurements carried out before the fire. Access for researchers to the restoration site of the cathedral was made possible thanks to the public administrative institution responsible for the conservation and restoration of Notre-Dame. We thank the CNRS/Ministry of Culture/Notre-Dame Scientific Project for their moral and financial support throughout our activities related to the acoustics of Notre-Dame.

Dada! Animation Team: We thank the entire Dada! Animation team for their support during the production of the film. Isabelle Nérin (Commercial Affairs), Camille Le Roy (Production Assistant), Quentin Auger (Director of Innovation and R&D), Jonathan Giroux (Software Engineering Director), Emmanuelle Chabord (Financial Director).

FSMSI: The artistic direction and editing work with the students of the Advanced Music, Sound, and Image Training Program of the Paris Conservatory was carried out as part of the educational activities.

La Puce A l'Oreille: We thank Matthieu Langlet (Mastering, cinema adaptation), Adèle Chupin (Technical Direction), Yann Noé (Technical Assistant), and Boris Chapelle (Director).

A big thank you for their involvement in the project to:
Emilie Delorme, Marine Thyss, Pascal Bertin, Yannaël Pasquier, Clément Parmentier, Gilles Oltz, Olivier Latry, Sylvain Dieudonné, Markus Noisternig, Fabien Armengaud, Alain Altinoglu, Catherine Simonpietri, Bénédicte Affholder-Tchamitchian, Eric Benoist, Lorédana Aceto, Graziella Iaria, Bryan Ramahazomanana, Jean-Christophe Pontiès, Théo Clavère, Magid Mahdi, Pascale Bondu, Olivier Montagnon, Olivier Marzullo, Jean-Christophe Messonnier, Ihsane Coulombel.

Project funded by the French National Research Agency (PHEND, n° ANR-20-CE38-0014)

© CNSMDP – Sorbonne Université - CNRS